Rereading Lord the Rings: The Fellowship of The Ring

I reread Lord of the Rings every few years, partly out of delight and partly to gain greater familiarity with the text. After Fellowship, events get blurry, not helped by the movies. There is no time like the present, particularly this one, to start my third reread.

I just wrapped up Fellowship of the Ring. It is the easiest one to follow, as the narrative does not jump much between sections.

Fellowship is extremely well-paced and those who bemoan how it contains so much walking probably haven’t read it since they were young and knew everything. The first part of the journey proper, the flight to Bree, is an adventure in the mode of The Hobbit and is so delightful that I can’t be angry or bogged down by it. I get why people are mad the movies skipped it.

Important plot and world-building things happen here, too. It becomes clear what the size, history , and peril of the world actually are, making the Shire all the more precious. Pippin and Merry get their swords, with their great heritage, which for Merry in particular are vital for future great deeds. The nature of the Ring is made clearer and clearer. The true terror of the Ringwraiths is showcased and we also get our first feel for the elves.

The Council of Elrond gets a bad rap, too, and I admit to deciding to go to bed at a break in it. It’s interesting though, and not as draggy as the jokes go. There needs to be a discussion of what to do with the Ring and everyone needs to know what the current circumstances are and all the options on the table.

Tolkien leaves no stone unturned. You, move-watcher ask, why the eagles did not fly the Ring to Mordor but it’s made clear in Gandalf’s tale of escape that the eagles are entities with their own motives and they would not do that. Why didn’t they give Tom Bombadil the Ring for safekeeping? Addressed. Tolkien’s loose ends are few.

As far as writing goes, one thing that’s clear is that Tolkien breaks all the rules. Fellowship is largely written in third-person omnipotent. He jumps into people’s heads all the time. The whole front half of the book meanders and there’s parts of the book where the characters are just sort of observing. It works, thanks to his skill and care and plot structure. The Lord of the Rings books are real art, neither calculated entertainment nor amateur dabbling. (I think, today, they’d be dismissed as the latter by the publishing powers that be; they like more calculation, you see).

With two rereads under my belt and working on a third, I can tell you that the movies are wonderful but deeply flawed. Perhaps, as the late great Christopher Tolkien held, they cannot truly be adapted. I think the flaw may stem primarily from Jackson’s own limited experiences and the limits of the medium.

Jackson and much of the entertainment industry, I think, have very limited experience with the different people of the world for all they travel. I don’t mean different looking people or even different cultures. I mean different kinds.

I think, but cannot in any way verify, that Merry and Pippin are tributes to some of the friends Tolkien lost in the Great War. There’s a sort of loving easiness to the way they are written, that I think there’s an echo of beloved and lost ones in them. I could be wrong. I’m not sure it was the intent even if it’s true. They decided to go on the Quest out of great loyalty and courage, come what may, but they had no idea what they were in for. It reminds me of how Tolkien and his friends ended up going to war.

Merry and Pippin are a of certain kind of young man who exists, small town princelings, aristocratic in their domain but prepared and willing to take on responsibility in the future. They have both the roguish nature of country boys with and the noble aspirations of squires. It’s not something you encounter often anymore, though I think Merry and Pippin are like one of my cousins. The movie version isn’t like this, but it’s more familiar to most modern people, that of mischievous teenagers who have to be forced to grow up. In the books, Merry and Pippin are already growing up. If they are reluctant, it’s from very legitimate fear of physical harm, not anything adolescent.

Generally, the movies give characters too much of that adolescent tentativeness. Aragorn was excellently cast, but the movie downplays his already proven leadership and his embrace of a frightening and perhaps fatal destiny. Again, movie Aragorn is a more familiar type. Sam is really the only character that should be like this, because he has much less social status than anyone else in the Fellowship. I think he and Merry and Pippin are around the same age, but being a member of a great house involves responsibilities not taught to or expected from a groundskeeper. Sam, though, has hidden depths and I think the movies capture him perfectly.

Arwen replacing Glorfindel was a cinematic necessity. You needed more interaction than you get in the books to make that love story make sense and there’s no way a movie could include their tale from the appendices and stay coherent. There’s not really anywhere else to fit her in the story, either.

Lothlórien could have been done better. Rivendell, too. Cinematic limitations, maybe, but also I think a limited sense of imaginative wonder. Jackson likes landscapes that largely actually exist. It seems to be how his mind works. The most magnificently imaginative location in the movies, visually, is Minas Tirith. Not much choice there. Perhaps I’m shortchanging him.

On to The Two Towers!

A last thought for these times:

“But in the end it’s only a passing thing, this shadow; even darkness must pass.”

You are Being Hunted

I have very lucid dreams, which I gather is rare and occasionally envied. I guess people take substances sometimes to get them.

It’s not all sunshine, roses, and spiritual enlightenment, folks. Often, it has been nightmares. I’ve drawn a lot of inspiration from the dreams, which can be wonderful tales, but the nightmares…

The thing about lucid dreams is that you know they aren’t real. This does not make them less terrifying as nightmares, as you still cannot escape. This is worse, I think, than a normal nightmare, because it’s a thing you know comes upon you without the experience of the concept of escape or control. Lucid dreaming is not this way in my experience. I will try to explain.

Continue reading “You are Being Hunted”

Atmosphere in Writing

Writing a story is akin to an abstract painting in a number of ways. You are, indeed, directly telling others what is happening…but you are also communicating how it feels to be there.

Take a look at this lovely Monet. It is a depiction of a seaside cliff (cliff at Graniv near fecamp), yes, but it also tells you how it feels to there. The sun, the wind, and the smell of the sea are there, somehow. It’s not a picture merely regurgitating what the artist sees- it is telling you of an experience.

Storytelling should do likewise. We call it atmosphere and it is mercilessly hard to define but you notice right away when a book doesn’t have it.

Continue reading “Atmosphere in Writing”

Status and Genre Fiction

Mad Genius Club– highly recommended in general, especially for writers, especially especially for indie writers- had a post recently featuring an old interview with the esteemed Terry Pratchett. He made some excellent points about what’s termed ‘genre fiction’ in circles I’ve been in vicinity of- that is, fantasy and sci-fi.

Fantasy is often the target of elitist dismissal but sci-fi gets it plenty, too, though less because science fiction bleeds into modern life so often. You can also pretend it’s grounded in hard fact and real trends and therefore get your Serious Literary Writer cred if you approach it with Serious Writer Voice by way of some current pet cause of the Great and Good.

Elitist approval is an interesting thing to go chasing. I get liking something and getting your hackles up when someone unfairly criticizes it; morons who dismiss Tolkien as a cute, happy fairytale (in the modern sense of that noun) certainly anger me for as long as I care to dwell upon their wrongness. But I don’t understand getting outraged about it as if they’ve kicked your dog’s ribs in.

Continue reading “Status and Genre Fiction”

Book Review: Vodka

Vodka by Victorino Matus is not, as the title may have you believe, a trendy slice-of-urban-life novel or a true crime thriller. It is, in fact, a book about vodka.

I state this because it was my beach book in Hawaii some years ago and people kept asking if it really was a book about vodka. They seemed to be expecting something else, I guess.

It’s the ideal book to take to Hawaii. It’s a short, light, fun read, easy to put down when the whim takes you to swim and pick back up where you left.

Continue reading “Book Review: Vodka”

Monuments to Impermanence

I’ve had occasion, recently (or so), to visit Antelope Canyon and its surrounding area.

It’s a spectacular sight, a photographer’s dream, whether very amateur like myself or otherwise.

Upper Antelope Canyon; in winter, you might get so lucky as to not get crowds in your pictures. Might.

Antelope Canyon(s) are slot canyons, unique flukes of geology. The Navajo sandstone of the region is very porous and long, long ago, flood waters rushed through the canyons and carved away the weaker stone. They’re formed very suddenly as landscapes go. Their smooth, winding walls are sculpted steadily by monsoon rains and more floods.

It’s a funny thing to think about: once, there were no canyons here. Now, and for long ages, there are. Eventually, they will be gone, even if they last to the death of the Sun. And they will always be changing, daily.

Continue reading “Monuments to Impermanence”

How Do The Holdings Work in the Paladin Trilogy?

I hold that the world building in a novel or movie or show should stand on its own well enough for people to be content if that’s all they have, but I also have it on good authority (well, the internet, anyway) that people like more in-depth looks from time to time.

With the world of the Doomwalker and the rest of the Paladin trilogy, I’ve got you covered. I know the world of the Holdings very well. I know it in ways that have nothing to do with the story of the trilogy. But those ways are interesting, I think.

Continue reading “How Do The Holdings Work in the Paladin Trilogy?”

Sparring Thoughts

One of my hobbies, besides writing (alas) is martial arts, specifically Krav Maga. A lot of what we learn at my gym is specific defenses you can use to remove yourself from a bad situation, defenses that have more to do with physics than strength.

My great cultural upheaval of choice would be to have everyone learn practical self-defense from a young age. It does a lot for you. It gives you a tool kit to deal with bad people wanting to hurt you, a tool kit that is both physical and mental (awareness, empowerment, etc.). It improves physical fitness. It also gives you a grounding in the physical, something I believe gets lost in our information-focused age.

Continue reading “Sparring Thoughts”

Bad Guys Who are All the Bad

My MMO of choice is Guild Wars 2. Insult me at will. I shelled out for this game and the reason I got my gaming tower is so it runs smoothly.

I was fascinated by the charr race and that’s what my character is. They are, of course, basically the kzinti, including their past history of genocidal war with humans, though their sexual dimorphism is not Niven-crazy. I generally find the world interesting, though the new main cast of the story is a deeply uninteresting set of people. Such are MMOs.

GW2 was the first time I ever saw the increasingly common trope of the bad guys being ALL THE BAD. They are not merely cultists of a world-eating god or a remnant of a violently deposed regime. They are also racist AND sexist AND they destroy the environment AND…

Continue reading “Bad Guys Who are All the Bad”